Seminario Permanente de Teoría y Crítica

Breakdown of Denise Ferreira da Silva: TOWARD A GLOBAL THEORY OF RACE

12th March 2009 · Leave a Comment

This post will attempt to explain Ferreira da Silva’s book. The purpose is to understand it, but also to have a handout that could be used as the basis of a lecture. We must therefore situate the book. What does she say? Why does it matter? This book could be a an important turn in race theory. I am interested in her remarks on the erasure of race in particular. More generally I am interested in and the ways in which she shapes the field she addresses, and in the implications of her theory — the vistas it opens up, and the challenge to the extension of Enlightenment universality and equality to everyone. My question: if racialization is inevitably part of the modern paradigm, then is there is no way to revise it out of that paradigm? See page 175: “because the arsenal of raciality secures post Enlightenment Europe’s mind and social configuration in transparency, as it writes the others of Europe in a place not encompassed by transcendentality” is WHY “this same subaltern positioning does not unleash the ethical crisis expected by those who argue that racial subjection contradicts modern ethical principles.”

WHY I LIKE THIS BOOK: It is the most insightful theoretical take on race I have seen since Omi and Winant. Formation theory explains a great deal but as Silva says, it does not entirely deconstruct race as such [need quotation here]. I have never fully understood why there are so many “short circuits” [as I call them, and I need to find a way to explain myself] around the question of race, and I am always amazed at how race keeps coming up as an issue no matter what people do to try to “resolve” it. Silva’s theory, that racial thinking in fact produced modern global space, explains why it never goes away. Her discussion of how race was produced [through the production, I emphasize, of whiteness as the color of universality] highlights its artificiality in a way formation theory does not quite, and lets us see what it really is — a purely theoretical construct, but not one that can be dismantled or wafted away since it is a building block in the modern world system or even an anchor of it.

FUN EXTRAPOLATIONS FROM BOOK: see xiii.

+ Mestizaje, paradoxically, is a way to eliminate the Other, since one way to do that is to make the modern subject a mestizo one.
+ Mestizaje is at the same time a utopian dream of abolishing race: because if the Ferreira thesis is true, it is impossible to have equality between races in modernity
+ SHE says: the core argument of the sociology of race relations is that the Other really is inferior and the postulate that the solution to racial subjection requires the elimination of difference.
+ NOTE how I was always taught there was no moral difference, only physical, and some cultural, but that was enriching. Compare this to the mestizaje dream. Everyone wants to get rid of difference, and the problem is that sometimes the way they do it is by getting rid of the differenT.
+

THESIS OF BOOK: Racialization is constitutive in the discourse of modernity. Its political force derives from its constant repetition of the founding ontological statement (the cogito, with its interiority/exteriority division). That is why racism persists despite multiple declarations of its irrationality and immorality. It is why we accept racist actions to the degree we do. Note that this goes counter to the Habermasian idea of modernity as an incomplete project. It suggests that the exclusion of colonials from French citizenship (in the Revolution) makes sense, and that the original United States, with slavery, makes sense. That in turn explains why racial others have not yet been allowed to attain full citizenship in these societies, and why the world has been divided as it has into central and peripheral countries. (It is not just about the economy, it is about race, and not because race is an essence, but because we need the idea of race to construct the universal Subject.)

VERY KEY POINT: People think that racial thinking and the idea of race is an error and it is not: it is what enables modern thought. People think they know how racial subjection is caused, but are at pains to describe how precisely the racial produces the others of Europe as subaltern subjects / and the modern subject. So people want to erase the racial from the modern lexicon, but do not explore how it constitutes the modern grammar — so their efforts are superficial in the end, and the racial is not erased.

FROM THE BLURB: The modern subject is formed in philosophical accounts that presume two ontological moments, historicity and globality, which are refigured in the concepts of the nation (historicity) and the racial (globality). The notion of racial difference governs the present global power configuration because racial others, NOT being in the place of universality and self determination, make it possible for these ethical ideals to emerge. The racial is the signifier of globality. It is important to be able to explain these things. We hope that in what follows, we will learn how.

CHAPTER 4: TRANSCENDENTAL POESIS

+ It is Hegel’s way of resolving the threat to the Cartesian subject, which must be interior, that it could get contaminated with exteriority. He decides through history (temporality) and the dialectic that exteriority is a moment in the subject’s construction. Then the contradiction is resolved and otherness folds back into sameness.  (see 70)
+
That is the scene of engulfment (evoke then elide; deny difference; include but hierarchically, etc.)

CHAPTER 6: THE SCIENCE OF MIND  [THIS IS GOING TO BE THE DESCARTES CHAPTER...]

+ the cogito is not affectable by or in exteriority
+ before Hegel created the transparent I, projects of knowledge that deployed the tools of scientific reason to uncover the “truth” of the mind were not allowed and/or not necessary
+ before transcendental poesis placed the mind in transparency, there wasn’t the 19th century scientific apparatus
+ the analytics of raciality and how it was produced is the focus here
+ we will see how it — in other words, th epolitical-symbolic arsenal that subjugates the Other — was produced
+ the scientific texts of these centuries transform the mind into a thing of productive nomos
+ and the Global emerged as the privileged ontoempistemological context
+ this produced post Enlightenment Europe’s particularity as an effect of outer determination … as the marker of a difference that could be captured only when placed alongside an “other”
+ KEY: race, which was before about kinship and blood, becomes THE RACIAL, a scientific concet and the STRATEGY OF ENGULFMENT that produces the human body as an exteriorization of productive nomos. This produced the transparent I, in Europe, and the affectable I, elsewhere. And first physical differences were ascribed to the affectable I, and then in the 20th century, moral ones.
+ IMPORTANT: 20th century makes culture key, but does not obliterate the idea of the racial. That is in part because without it “the cultural would not maintain the boundaries of transparency.” (117) COMPREHEND this, and reread the paragraph that ends 117 and begins 118.

CHAPTER 7: THE SOCIOLOGICS OF RACIAL SUBJECTION

+ By rewriting racial difference as a signifier of cultural difference, the toolbox of race relations writes the U.S. social subject and social configuration in transparency and replaces the others of Europe in affectability. (154) Thus it creates the racial subject, which is not a transparent I (not universal and does not have self-determination). [In the U.S.] the presence of these racial others contaminates the transparent Is of Europe, so those others have to be excluded if the I is to remain transparent (I think this is how it goes). SO the U.S. has to have segregation. Brazil uses OBLITERATION to get rid of the other, but the U.S. uses EXCLUSION. Yet the logic of exclusion is subordinated to the logic of obliteration (find out what she means by this). It presupposes the failure of the latter and so has to see the racial itself as foreign to modern social configurations. (So the U.S. has exclusion and assimilation, whereas Brazil has obliteration?)

+ Important: rather than producing the others of Europe outside of historicity and univrsality, the racial engulfs them by writing their difference as an effect of the play of productive reason. AHHHH this is getting hard, the prose is thorny. ANYWAY, the Cartesian subject as it gets rooted in the concept of the nation gets racialized.

+ I am marking in the book because I cannot take notes and also read. See 168-69: it is true, critiques who want to reinstitute transparency can only guide emancipatory projects that use “historic” signifiers – class, nation, culture – as signifiers of a racial subaltern consciousness.

+ Important: the cultural is a strategy of engulfment

CHAPTER 8: OUTLINING THE GLOBAL/HISTORICAL SUBJECT

+ Important epigraph from Du Bois: throughout the 19th century race consciousness grew; “culture … came to be and had to be built upon the knowledge of these differences.”

+ She asks: why has [this] “analytics of raciality,” which Du Bois already articulated, been missed in CRT and in postmodern critiques of modernity?

+ Consider, she says, that to ascribe transparency (in the past, before colonization) to the subaltern does not dissipate the effects of raciality. This is essentially because although it has been decided that racialization is not a good strategy of power, the idea that there are races has become naturalized. (Saying “all races are equal” does not do it.)

+ Foucault says the modern episteme emerged in the 19C, and Hobsbawn says the modern political subject, the nation state, emerged in the late 19C.

CHAPTER 9: THE SPIRIT OF LIBERALISM

+ In the United States Blacks are not the ever-vanishing affectable others, but the inhabitants of a moral and juridical place (a subaltern one, outside the Constitution — see arguments re Plessy v. Ferguson, 209ff.).

+ It is not that they are excluded from an already existing civil society — it is that they and other Others had to be produced as others so that the U.S. could have a transparent “I.”

+ “Racial subjection does not result from excessive strategies of power, but is an effect of the analytics of raciality, the political-symbolic apparatus that has produced that has produced in the United States [the transparent I and its others, two kinds of global/historical subjects].” (219)

CHAPTER 10: TROPICAL DEMOCRACY

+ Observers since early on have been shocked at racial “promiscuity” in SSA. So how does Brazil then try to construct itself as a transparent I? How could it become the subject transcendental poesis had located within post Enlightenment Europe? The answer: by rewriting misgecenation as a historic signifier. It said Africans and Indians could not survive … so it instituted the mestizo / mulato in the “white” location [my paraphrase] … but this then is the Brazilian predicament because miscegenation is intrisically unstable as a scientific signifier.

+ Raciality informs the Brazlian text, the whitening thesis, and racial democracy , and the transformation of this scientific strategy (of containment) into a historic strategy (of engulfment) produced a gendered political text, “for Portuguese power/desire could only be written as the force of Brazilian history through the appropriation of the non-European . . . female subject as an instrument.” (223)

+ The productivity of European desire resides not in transcendentality but in the premodern … [re-study the top of 224]. Miscegenation as a strategy of particularization produced a modern subject that threatened transparency … but because it produced bodies that signify continuity between Europe and its others, it was also a signifier of globality that could be deployed to “write a zone” of deployment of European power in affectability (224).

+ The silencing of the racial underclass in Brazil is not done by placing the racial “other” outside the national subject, but by [writing miscegenation] such that the Other could be obliterated [I think ... see 225].

+ Nina Rodrigues: miscegenation causes weak minds, is a pathology … they are not self regulated … so Brazil’s predicament is the mestizo’s metal inferiority … only whites can have the transparent I. So progress in Brazil will have to be purification, i.e. obliteration of the Other. This did not eliminate blackness of course, and in fact it produced Africanity, but it was a good strategy of racial subjection.

+ The mestizo has to be written as tending to whiteness … if not Brazil could not become modern. Blackness and Africanity signify Brazilian particularity while producing blacks and mestizos as subaltern subjects (233). Sexual violence on the plantation is thus rewritten as producing the trajectory of the Brazilian subject toward transparency.
So (as I have always said, although she puts it in a more technical way), you have to include and exclude … EVOKE AND ELIDE in my words … racial others in order to have a modern I that is also specifically Brazilian. This is on 234, reread it.

+ Romero: miscegenation gets rewritten as modern, because democratic (236-37). So NOW the mestizo, who embodies Portuguese desire, becomes the privileged agent of Brazilian history, and he is whitening: so mestizaje is no longer degeneration but whitening and progress.

+ Racial difference is resolved in the interiority of the always already slightly tanned subject of patriarchy (241). And miscegenation institutes social configurations where the racial does not operate as a strategy of power. In Freyre, Brazil is a kind of culmination of Portugal… and patriarchy is key because Brazil chose it over modern conceptions of juridical authority and economic relations, so family and sexual life are the privileged sites for narrating how racial difference operates in Brazil (240). That renders the Black man irrelevant to Brazilian history, of course, since the miscegenator is the Portuguese!

+ The African contribution to Brazil in Freyre is the body of the female slave; through her you get the slightly tan transcendental I and thus Brazilian particularity, and blackness is an auxiliary (not a determining marker) of this particularity (often refereed to as a “residue” of the African “spirit”) … the African culture is always-already vanishing

+ Slave / WOC body is acted upon, affectable by gender and race, public, not rational … and her offspring are signifiers of Brazil’s unstable placing at the outskirts of modernity (so the whole house of cards is unstable, fluctuates)

+ Araujo 1994: again wants to erase the racial from the modern political grammar … and to do so erases the fact that miscegenation has operated as a solution to the predicament of Brazilian elites only because it signifies the obliteration of racial difference (what I called DENIAL OF DIFFERENCE) (247-48).

+ This argument (248-49) is complex but key. Racial democracy attempts to resolve Brazil’s predicament in a scene of ENGULFMENT, where the productive moment is the violent appropriation of black female bodies. Race consciousness is not available because it presupposes an excluded other, but all these others are engulfed in the national subject in Brazil. And this is how Brazil and other polities in the global South become global subaltern subjects.

+ U.S. excludes Black people but Brazil engulfs them [I think that's the point]. Difference is always placed in the past.

+ Celebrations of hybridity, having racial difference as their only target, reflexively renew the foundational statement of race relations which says Others cannot become transparent … and keep countries like Brazil at the outskirts of modernity.

+ The difference that marks the subaltern subject also instituted the place of those who dominate them.

CONCLUSION: FUTURE ANTERIOR

+ There is a quotation from Foucault on Don Quixote, the graphism who neither crosses to difference or reaches the heart of identity, and who can become a knight by listening from afar to the age-old epic that gives form to Law, and a marvelous one from W.E.B. du Bois, about how race is the key problem in modernity.

+ Modern thought assumes an inner mind thinks about things that lie outside it. Notice this interior/exterior binary, is it so fixed? And note: the noetic protects the mind’s self determination and does not render it an object of scientific reason. This leaves the [idea of the mind] open for appropriation in the poetic. This it does not matter if modern thought had privileged exteriority as opposed to interiority. The point is that this disctinction “signifies” from within modern representation which depends upon the binary. So: how is it possible that this distinction preserves interiority as the attribute of the transparent “I”?

+ The madman and the poet are at the margins of modern representation but do not move beyond its boundaries. The racial imposes a questioning of interiority upon modern representation. [Comprehend this.]

+ Postmodernist critiques of modernity challenge universal reason but still embrace universal poesis (which rearranges signifiers but does not aim to replace the divine author). They also privilege historicity, which is about truths the final realization of justice, and so on — universality.

+ Transcendental poesis cannot fulfill the promise of inclusion because transcendentality is not global. Hegel locates the realization of Spirit in Europe, as we know; it was necessary to write post Enlightenment Europe’s particularity as something irreducible … and fully achievable only when the difference Europe/Other becomes an effect of nomos. (258) And the error of postcolonial and postmodern critics is that they do not realize that the limits of that Self is not the other (as in the poet — the person on the margins) but in the Other.

+ Modern representation can sustain transparency only through the engulfment of exterior things. This is the key argument in the book.

+ Questions the author had before writing the book include fatigue with the ways race was being discussed (see 260-61), and the intuition that differences between race as it operates in the U.S. and in Brazil had to do with the relationship between race and nation.

+ Violence against racial others are “deaths foretold” … and the racial is “that modern signifier that delimits all the murders producing the place where the lives of racial subaltern subjects unfold” (261). And the strategies of scientific reason consistently write the affectability of the racial subaltern subject (262).

+ The dilemma of liberal thought (Locke, Rousseau): they have to deal with the problem of exclusion and universality. [Recap: to have transparency you need differentiation, so you need exclusion to have universality, and this is the paradox. Check to see if it is right.]

+ We keep trying to extend more justice, and to base justice on the idea of universality, even though we know freedom and equality have never been all encompassing (the liberal founding deal was only for white men of property).

+ So much is specular: because Black women as seen as “welfare queens” they are dispossessed, and because they are that they are ["welfare queens"], so the system of representation goes around and around and reproduces itself.

+ The error in liberal thought and, I guess, historical materialism and so on, is to think that the subaltern, once the veil of [patriarchy or whatever] is lifted, will be a transparent subject … but that is impossible since the Black mother, for instance, is already outer-determined, and whose social trajectory is an effect of how “the productive nomos institutes her … position.” (266)

NOTE: That would be why, to have equality, you would have to get rid of the subaltern entirely, so in this way the conservative position is logical … although then again not, because to have a transparent I you have to create an Other. So in the discourse of modernity you have to have inequality, it seems, at the same time as you retain a DREAM of equality. [I wonder if this is right.]

+Neither the sociohistorical logic of exclusion nor the notion of patriarchy can account for this kind of social subjection. Because of her double affectability the female racial subaltern is always the subject of lust … hers is a dangerously unproductive will because it is guided by nothing but the preservation of life (i.e. instinct, she is outside the law, always erupting, has to be an object of public policy). Similarly we have “terrorists” and so on.

Axé.

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Ferreira da Silva: Can the subaltern (subject of raciality) speak?

9th March 2009 · 1 Comment

Ethnicities, Vol. 5, No. 3, 321-342 (2005)
DOI: 10.1177/1468796805054959

‘Bahia Pêlo Negro’

Can the subaltern (subject of raciality) speak?

Denise Ferreira Da Silva

University of California, San Diego, USA, dsilva@ucsd.edu

This article revisits the theme of representation by examining the relationship between difference and transparency. I argue that the current purchase of multiculturalism and diversity marks the ‘officialization’ of the 1980s politics of difference, which refashioned previous formulations of racial and cultural difference without challenging their ontological premises. Through a reading of the Bloco Olodum’s 1988s carnival lyrics, I chart the articulation of signifiers of Africanity, as a marker of cultural difference, which writes the black Brazilian as subaltern subject without producing a particular version of a (self-)transparent (interior/temporal) African subject. Instead, in this emancipatory text, Africanity delimits a region of subalternity, one inhabited by Africans and economically dispossessed blacks in the diaspora, which is defined in terms of a political struggle that marks their existence in post-Enlightenment social configurations. Not only does the interpretive strategy I deploy show how an attention to social scientific knowledge’s role in production of modern (post-Enlightenment) subject is crucial for a critique of the notion of difference informing the global principles of multiculturalism and diversity. More importantly, it also indicates why the logic of exclusion, the prevailing account of social subjection has been now added to the arsenal of racial subjection.

Key Words: Brazil • cultural politics • exteriority • globality • representation • transparency

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Joshua Lund

4th March 2009 · Leave a Comment

This is an important article.  I have a strange feeling I have said so before, but I do not have time to look. I need to tidy and update this blog, and I will.

Axé.

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Re Fernando Ortiz

2nd March 2009 · Leave a Comment

Journal article by Marylin Grace Miller; Chasqui, Vol. 32, 2003

Transculture, Terror, and the Language of “Love” in Nancy Morejón’s “Amo a Mi Amo”

“yo te diría que la noche tiene un encanto medieval” (Nancy Morejón)

What does transculturation (still) mean, nearly three-quarters of a century after Fernando Ortiz offered his powerful interpretation of the term and its relevance to Cuba and Latin America in his volume Contrapunteo cubano del tabaco y azúcar (1940)? Román de la Campa argues that the traditional reading of transculturation as developed by both Ortiz and his successors, including Angel Rama, has been one of positive synthesis, which provides for a kind of cultural cohesion in the face of postmodern dispersion. He suggests further that subsequent “deconstructive” readings of transculturation (Benítez Rojo, Pérez Firmat, Moreiras) have come from the context of an entrenched academicism distant from everyday experience in Latin America (7). Certainly, there is much truth in his assertion that as has been the case with other terms such as “magic realism,” and “lo real maravilloso,” transculturation has disintegrated into an imprecise, generalized term used to refer to the autonomous and authentic nature of Latin American cultural expression (13-14). I would suggest, however, that the problem is less with Ortiz’s search for synthesis, than with the shrink-fitting of Ortiz’s multidisciplinary observations into a frame t…

Axé.

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More from Branche

27th February 2009 · Leave a Comment

Fragmentary notes to decipher.

* 2, 802, 733: antislavery tracts (in enlish) 823-31 + poems, plays, fiction

* Alvar, LEXICO DEL MESTIZAJE EN HISPANOAMERICA (Branche 63) … and on 83-84, to acquire honra = to whiten

* 89 whiteness could be bought

*91 whiteness conferring status; the obsession with whiteness an American thing

*93 linguistic labels for color bespeak a one drop mentality although whitening was possible

* 104 contrapunteo en Madrid; Tarzan/Jane, is Cecilia Jane?

* 107: the torture of slaves belies facile generalizations on the benignity of Latin American slavery

* 115 my thesis too: the “embrace of mulatez is the suppression of the darker masses in the possibility that they might be protagonists of change” … and MIXING is not a bridge, but a barrier to Black empowerment.

* Gubar on racial impersonation in primitivism (Africans become “supermen”)

* 136 Manzano claims mulato status and constructs “negro” as Other

* 140 the character is returned to bozal status when he becomes threatening

Axé.

* 150 [look this  up] a specifically (Latin) American race obsession (?)

* 195 PALES MATOS on the Afro-Antillean difference: it is the tinge of color that counts

* the first poem on an African theme in Spanish appeared in 1455 (64)

* Lope de Vega (but really Antonio Mira): EL NEGRO DEL MEJOR AMO … and there were other plays on these themes; Quevedo wrote a poem “Boda de negros”; in EL NEGRO DEL MEJOR AMO the “solution” is to wash out Blackness

* the colonized must turn white or disappear

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Jerome Branche

11th February 2009 · Leave a Comment

Colonialism and Race in Luso-Hispanic Literature (Columbia: U of Missouri P, 2006):

CHAPTER 5: MUCH OF WHICH IS ABOUT ORTIZ AND HOW HIS WORK SEPARATES BLACK AGENCY FROM THE BLACK REFERENT AND OTHERWISE EMBODIES AND SUPPORTS RACIST INTELLECTUAL PRACTICES.

214: Depestre on negrismo: it showed “neither anger nor rebelliousness.” Branche: “The ability to sucessfully separate the political from the aesthetic is undoubtedly a striking feature of the genre, and could only have been achieved by way of silencing and/or co-optation of the referent, as indicated earlier. The more or less obvious absence or paucitry of black literary voices . . . would therefore offer only a partial explanation of this silence, which . . . has both a material, political dimension, and a symbolic, discursive one.”

214: A depoliticized Afrocubanness is reincorporated to Cuban culture by way of negrista arts … in this way white culture consumes, or cannibalizes Blackness.

230: [In the Revista de Avance/Ecué-Yamba-O] Carpentier used the bongo as an anti-Wall Street symbol. But how does this marginalized cultural artifact suddenly get to occupy a commanding space in the national episteme … and if it does, does its player (a Black man) get to do the same?

243: El Reino de Este Mundo consistently indulges in the “antiblack tropological archive”

CONCLUSION

249: Examples about how literary race making marginalize Blackness are a Negrist discourse in which denigration passes for glorification, and antislavery writing that is less about emancipation than about the celebration of elite abolitionists. Through these texts and their validation as liberating in the critical tradition readers learn to accept an inverted epistemology that sustains racism.

250: The white racial contract interpellates whites across the globe (useful for my purposes: it does not just interpellate Americans). Important source for the misreading of race in L.A. = the racial democracy principle.

Axé.

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From Spicer (and perhaps elsewhere), for my Dresman essay

3rd February 2009 · Leave a Comment

Page 209: “We do not write for each other. We are irritable radio sets . . . but our poems write for each other, being full of their own purposes. . . . And our lips are not our lips. But are the lips of heads of poets. And should shout revolution.”

1985 article by Lori Chamberlin, Ghostwriting the Text: Translation and the Poetics of Jack Spicer, on After Lorca

Spicer in the Electronic Poetry Center at Buffalo

Spicer at poets.org

Spicer at PennSound

The House That Jack Built

On January 10, 2009, there was a tribute to Spicer at the San Francisco Public Library. Read all about in X Poetics.

Axé.

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A UNE DAME CREOLE

27th January 2009 · Leave a Comment

Charles Baudelaire:

Au pays parfumé que le soleil caresse
J’ai vu dans un retrait de tamarins ambrés
Et de palmiers d’où pleut sur les yeux la paresse,
Une dame Créole aux charmes ignorés.

Son teint est pâle et chaud; la brune enchanteresse
A dans le cou des airs noblement maniérés;
Grande et svelte, en marchant comme une chasseresse,
Son sourire est tranquille et ses yeux assurés.

Si vous alliez, Madame, au vrai pays de Gloire,
Sur les bords de la Seine ou de la verte Loire,
Belle, digne d’orner les antiques manoirs,

Vous feriez, à l’abri des mousseuses retraites,
Germer mille sonnets dans le coeur des poètes,
Que vos regards rendraient plus soumis que des noirs.

See Francoise Lionnet on this poem in Diacritics and in “‘The Indies’: Baudelaire’s Colonial World,” PMLA 123:3 (May 2008): 723-736.

Axé.

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Pizer on Weltlitteratur

21st January 2009 · Leave a Comment

First, see my post on Goethe and translation.

Pizer’s general thesis in The Idea of World Literature is that world literature courses should revive the concept of Weltlitteratur as constructed by Goethe, which involves considering the intersection of the global or universal and the local. Pizer uses terms like “subnational” and “transnational” and insists one must look at the subnational (the regional) as well as the transnational (which is not necessarily the same as universal, I note). Bakhtin, who uses the word “locality,” is one of Goethe’s best readers on this question of the subnational-transnational dialectic.

World literature depends on translation, and Goethe’s translation theory is therefore key – because he does appreciate alterity. His most significant pronouncements on translation are in his notes to the West-östlicher Divan, which is his most seminal creative engagement with Weltlitteratur. He wants to bring together a “great meeting of all nations” and he says there are three main ways to translate:

1. To flatten difference, making us aware of the foreign through the filter of the familiar (as in typical World Literature in English Translation courses);
2. “Parodistically,” wherein the translator is imitating the style of the poet he is translating and appropriating the foreign sensibility so as to re-represent it with his own;
3. Where the translator creatively captures the essence of the original (as when the artist attains a style and is able to represent an object by rendering visible its inner essence) and is able to make original and translation identical. [Here Pizer notes, on 9, n. 20, which is on 153, Goethe's influence on Benjamin.]

Pizer explains all of this in chapter 1. Chapter 2, on Goethe and the Romantic school, says more on Goethe’s translation theory. Goethe’s idea of translation was oriented toward alterity: “its highest ideal [is] the movement of the self toward the Other, not a dominion over the Other or a leveling of the Other. This embrace of alterity, grounded in a unique principle of estrangement that forces the self to become foreign to itself, serves the twin causes of intercultural dialogue and respect for the foreign.” (XXVIII) (This blogging software is interpreting my eight as a Smiley icon.) The Divan represents the “completion and confirmation” of the poetic self, and translation develops the poetic self. (30) Translation makes universal mediation possible. (40) In an ideal translation, “one alienates and obscures personal identity in bringing the alterity of the translated language to the forefront” (41) – unlike some Romantics who use the Other as a means to an end of their own.

Note that Goethe apparently developed the term Weltlitteratur in response to Romantic universalism / nationalistic tendencies of German Romantics. This is important. In Goethe the self participates in and interacts with the foreign, and is not simply “influenced” by it. Intersubjective dialogue is the goal. See the Goethe / Schlegel contrast on 44-45.

Later on in Pizer’s book, we see that the desideratum of the world literature classroom is an engagement with Otherness, and that Weltlitteratur even has to do with biculturality (136-37) and mestizaje, as it were.

Axé.

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Constructions of Brazil

20th January 2009 · Leave a Comment

Note Introdução ao Brasil. Um banquete no trópico, by Lourenço Dantas Mota. This book comments on many writings, as does Leslie Bethell’s Ideas and Ideologies in Twentieth Century Latin America.

Paulo Prado’s Retrato do Brasil. Ensaio Sobre a Tristeza Brasileira is one – a text Bethell connects with other famous documents from 1928. It has an epigraph from Capistrano de Abreu, from a letter to J. L. d’Azevedo, saying the JABURU is the bird that symbolizes Brazil. It is a tall bird with thick legs and well feathered wings. It spends its days with one leg crossed over the other, very sad, of an “austere and vil sadness.” Following are chapters on lust, covetousness, sadness, and romanticism – and a then postscript.

The postscript says the book is not regionalist, although it was written in a provincial city. The author isolated himself in the Goethean manner so as to flee the influence of the “Bovarisme” of S. Paulo and create  his work of art in peace. Only in the provinces can one imagine the long, book-lined study Renan dreamed of. Also, in this particular province iBrazilian sadness is very salient (for as Anchieta already realized, S. Paulo is particularly melancholy). This enabled Prado to guard against the assumption that all of Brazil is so sad.

Prado says he wrote this “retrato” like an impressionist painting. This enables him to get to essences. He has considered history not as a romantic resurrection … but as a group of impressions … which allows us to get to what I would call a sediment of Brazilian experiences.

Martius in “Como se deve escrever a historia do Brasil” doubted the importance of repeating facts. Rather, he recommended the writing of a “pragmatic” history of Brazil (says Prado). He and apparently Martius (whom I have not read) emphasize the fusion of the three races so as to produce a new ethnic type. [Note then: once again this is hardly new with Freyre]. Martius, satys Prado, was the first to give importance to the African. And as we know, slaves first came to Brazil with Cabral. There were 20,000 of them by 1600, and there was a great deal of racial mixture by that time.

Page 192 of the 4th edition (RJ: Briguiet, 1931) refers to a “hyperesthesia sexual” that caused more mixture to take place than had done in the United States. Lust brought the races together, from the beginning, slowly. There was intimacy among the races (and there was none in the United States). And North Americans do not like mulattos … whereas in Brazil an octoroon “passes.” And we have seen that mixtures of Portuguese and Indians give strong stock, especially in the first generations (195). It is hard to tell so far how good the mulatto mixture is, but one thing is clear: “Aryanization” takes place. In another five or six generations we will see whether the mixture creates a strong race.

At the end of 197, Prado starts talking about the ways in which slavery weakened Afro-Brazilians and Brazil, again paraphasing Martius. Prado says there were psychological problems: lust and covetousness led to the romantic malady in the Brazilian character. And Brazil is still in a marasmo colonial … it needs to modernize its attitude and stop sitting in the margins.

Axé.

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